展览名称/Exhibition Name
「爱、梦想、青春」全厚渊个展
展期/Duration
2021.9.15—10.17（9am-6pm）
地址/Venue
Art-L艺术画廊
上海市闵行区虹莘路3500弄118号
No.118,Lane 3500,Hongxing Road,
Minhang District,Shanghai
观展请至少提前一天通过下方的Art-L 微信号预约。如有不便，敬请谅解。
Our exihbition is opened by appointment. Please make a reservation at least one day prior to your visit via the Art-L official Wechat below. Thank you for your support!
Is there anyone as unforgettable as artist
他始终相信，色彩就是爱情，在我们的人生中赋予生命意义的唯一颜色就是爱情，马克·夏加尔（Marc Chagall）是一位真正有趣的画家，他将灵魂的色彩以梦幻般的色彩无止境地展现在画布上。看完全厚渊作家的所有作品后，我终于明白了作家分手时说的最后一句话“我的宗教是爱”的真正含义。
Marc Chagall was an artist who believed that in life there is only one color and that color is love, and he illustrated the hues of this spirit on canvas, giving joy to all who look on his work. But it was only upon appreciating the art of Zun, Hoo Yon that I could truly understand the meaning of Zun’s words “Love is my religion.”
Beautiful World, 2005-2019,Limited Edition Interpretation Giclée,67.5 x 85cm
Along with the Darkness, 2008-2019,Limited Edition Interpretation Giclée,57 x 70.5cm/67.5 x 85cm
And You, 1977, Limited Edition Interpretation Giclée,57 x 70.5cm/67.5 x 85cm
在他的100多幅作品中，无一例外地出现了拥抱少女或抱着花感受香气的少年。那个男孩在所有的画中都露出一副沉迷于爱情的幸福表情。在这里，我们毫无例外地发现了“我的爱情就像春雨”，润湿大地的同时孕育着生命的全厚渊式的爱情赞歌。像这样，在全厚渊作者的作品中对少女无限的爱的想象力，渗透着用花朵来承载内心的热烈的幸福追求的姿态。作家用语言和色彩证实，如同太阳、鸟、月亮、星星、丘比特的箭和我们的人生一样，在艺术中只要以爱情为基础，一切都可以实现。
“你湿润的嘴唇，雪白的胸膛，高贵的动作。一切都从梦中开始，成为梦想，成为爱情，幻化成耀眼灿烂的太阳，然后醒来"。正如《贝拉》处于夏加尔艺术世界的中心一样，全厚渊作品中不断出现比花还美的女人。但是，那个女人并不是马克•夏加尔作品中的《贝拉》或《巴巴》那样拥有自己名字的女人。就像小时候他在梦中思念的少女，心潮澎湃地梦想着和天真无邪的清纯少女，或是女人间热烈的爱情，就像反复说着“她的爱情充满了我的艺术”的夏加尔一样，全厚渊的作品中流淌着不倦的爱情旋律，支配着整个画面，在其附近有月亮，也有星星，还有云彩。
画中还有一个像小王子一样插着翅膀，捧着花朵，在半月空中飞翔的少年。当然，那个少年也许是作家本人。但是与抱着《贝拉》翱翔在天空的夏加尔不同，作家没有描绘出女人的真实面貌，所以不管怎么说还是有点淡，缺乏真实感，这让我感到很遗憾。
尽管如此，他的作品仍旧是梦幻的，具有梦幻般的美，无需得到许可的情况下，任何人都可以沉浸在他的画幅中进行想象。因此，在观看他的画作的过程中，始终是快乐而幸福的。夺走他灵魂和鲜花一起飞向天空的缪斯女神是一个匿名少女或女人。
正如夏加尔曾经说的“我的未婚妻比拉斐尔的圣母还纯洁”一样，全厚渊画中的女人像奥黛丽赫本一样美丽天真，但同时又像蒙娜丽莎一样神秘。因此，他的爱人无处可寻却又无处不在，这就是为什么每个人的胸前都充满美丽和光芒的原因。
Spring Rain, 2001,Limited Edition Interpretation Giclée,67.5 x 85cm
The World of Love and Faith, 1981,Limited Edition Interpretation Giclée,57 x 70.5cm/67.5 x 85cm
In every one of Zun’s approximately 100 pieces of art, there is a boy who is either hugging a girl or smelling a flower, seemingly euphoric as he indulges in love. Viewers are able to discover Zun’s sensation of love via his works and can understand him when he said, “My love is like a spring rain,” as a spring rain incubates life within the soaked earth. As such, Zun’s works are permeated with this eagerness to find happiness, as the boy is eager to express his infinite love for the girl or for the flower. Sun, moon, star, bird, and Cupid’s arrow are items adopted by Zun to confirm that anything can be used to express love as is true in both art and life. Love is a colored language in Zun’s works.
Zun once told his lover “your moist lips, snowy bosom, and your noble moves, all of which spring up in a dream, become love, and awaken as the dazzling, brilliant sun” are brought to life with radiance on canvas. Just like “Bella,” who is at the heart of Chagall’s art, a gorgeous woman perpetually stars in the works of Zun. However, the woman, unlike “Bella,” has no name. As Chagall reminisced in his art about the passionate romance he once had with a woman during his pure, immature days, Zun’s work is dominated by the restless melody of love. The backgrounds of his paintings are embroidered with moons, stars, and clouds.
Often, the boy cruises through the sky with a bunch of flowers in his arms and the half moon as his vessel, like the Little Prince. Sure, the boy may be the artist’s persona. However, unlike Chagall who flies in the sky with “Bella” in his arms, the absence of a woman’s image in Zun’s work somewhat bores and disappoints the viewer.
Nevertheless, Zun’s works are phantasmal and beautiful. And everyone is invited into his world via the canvas to dream and enjoy. The muse in Zun's work is an anonymous female who mesmerizes the buoyant, flower-holding boy.
As Chagall once said “My fiancée is more pure than all the Madonnas by Raphael,” the woman in Zun’s work is as beautiful and innocent as Audrey Hepburn and as mysterious as the Mona Lisa. So his lover is nowhere and everywhere. That's why his paintings add beauty and brilliance to everyone's hearts.
Ecstasy and Euphoria，2003-2019,Limited Edition Interpretation Giclée,57 x 70.5cm/67.5 x 85cm
Together with You, 2002-2019,Limited Edition Interpretation Giclée,57 x 70.5cm/67.5 x 85cm
在作家2019年作品《星星，月亮和爱》中，鲜花和插着翅膀的恋人占据整个画面，他的爱情远远超出了对她的热情。然而，绘画风格的独特之处在于，全厚渊作家像其他伟大的艺术家一样，在进行版画工作中与当代著名艺术家进行了很多交流。
在此过程中，构图和笔触多少都受到了张郁珍，千景子，李大元，卞钟何，李沃宗等画家的影响，但唯独对爱情的追求是独特而固执的。他想到今后一直坚持的主题，用充满自信的语调说：“艺术和生活的完美来源于爱”。全厚渊的永恒缪斯、他的主题是爱情和梦想。因此，所有颜色和形象都像棉花一样柔软，阳光是耀眼和可爱的。
全厚渊作家非常浪漫，他认为在日常生活中花束是送给爱人的最佳礼物，那是因为他是一名艺术家。夏加尔不是在说新娘和新郎总是用花束表达他们最大的灵感“爱”吗？尽管如此，全厚渊的作品中的几种形象图案还是很有趣的。
所有人的胸前都带着鲜花，在这里，鲜花是女人，女人就是鲜花。因此，他的女人总是与花一起构成一体，女人与花是等同的。从诗歌中可以看出，他对所爱的人的情感是安静、平静和温柔的。
My Love Spring Rain, 1981,Limited Edition Interpretation Giclée,57 x 70.5cm/67.5 x 85cm
A Very Good Night to You, 1974, Limited Edition Interpretation Giclée,67.5 x 85cm
The painting <Stars, Moon, and Love> by the artist Zun, Hoo Yon in 2019, depicts a flower bouquet filling the entire space and a lover with wings. From this image, I can affirm that his love goes beyond just agape love, and that he falls in passionate platonic love with her.
Zun’s peculiar style stems from the numerous exchanges he had while engraving with eminent artists in those days. Although he mentions his communications with Jang Wook-jin, Chun Kyung-ja, Lee Dae-won, and Byun Jong-ha, Lee Wal-Chong, who seemingly influenced his work, his pursuit of love is original and opinionated. He would undoubtedly say, “The perfection in art and life comes true through love,” reminiscing on the theme that he has so far pursued to perfect in his work. Love and dream are Zun’s eternal muses and themes. That is why all the hues and shapes in his work are as soft as cotton, and the sunlight is sensuous and lovely.
Zun is so romantic as to regard the act of giving a flower bouquet to a loved one as the best present one could give. It is because he is an artist, and just like Chagall said, a bride, a groom, and a flower bouquet expressing “love” is the greatest inspiration of all. Nevertheless, some of the patterns in Zun’s works are intriguing.
In every case, flowers are held in one’s arms. Here, the flowers represent women to the artist, and, at the same time, the women are flowers as well. This is how women in Zun’s works are always equivalent or identical to flowers. Zun’s feeling toward his love is, as can be read in a love poem, tranquil, serene, and gentle.
Dance Tomb’s Hunting Painting by Ancient Koguryo Dynasty, 2021, Limited Edition Interpretation Giclée,85 x 67.5cm
It's Nostalgia, 1982, Limited Edition Interpretation Giclée,68 x 68cm
如同“我心里有爱，直到我生命结束的那一天我将献给你”的告白一般，他画下中的形象看似是随意摆放或安排的，但是空间和留白、色彩的均衡构造的柔和的协调，唤起梦幻般的童心。
其画幅乍一看，给人一种出自孩子们之手的可爱视觉体验的同时，总是将哀伤和思念像纹身一样均匀地刻在其中。就像无尽的渴望在自孩子们之手的可爱视觉体验的同时，总是将哀伤和思念像纹身一样均匀地刻在其中。就像无尽的渴望在画中被形象化成爱情一样，最终成为了他勾画的主要主题。
看着几次全厚渊作家的作品，心中有一个像宗教一样可以爱得死去活来的对象，这对于艺术家而言，难道不是最大的祝福吗?在华丽的色彩中隐藏的爱情故事在他的全部作品中都像Gosrany祝福一样复活的秘密在这里被揭开。但是，他似乎并不总是在梦想和幻想中寻找爱情。在树下创作的制作年度不明的作品中，作家凄然告白道:"有一天，我在树下喝杜鹃酒，希望自己永远是一个人。"
这位作家的凄凉和凄惨的告白告诉我们，喜欢一个人、爱一个人并不是只有幸福的表情，而是要以多少伤心和痛苦的伤痛为代价来承担，这就是作为普通人的全厚渊，这就是作为艺术家的全厚渊，这种无法隐藏的告白就是我们所见到的全厚渊作家所有作品的灵魂和根基。
全厚渊作家作为YONART的著名设计师和成功的企业家，在制作具有革新性和高档的VIP挂历的过程中，将生活刻画成作品，这就是他找到如暴风般爱情的灵丹妙药，找到极光的终点站而获得的成果。
如今他已是年近70高龄的元老艺术家，现在他知道他的信念和选择是正确的。因为，这一哲学在所有画中都证明了“如果以爱情为基础，一切都有可能发生”。在他最后的作品中，他表达的信息让人感到非常坚决，这足以证明他的艺术和哲学。
“我的宗教是爱”这一行字与他的作品里融为一体，震撼了我们的心。毕加索曾说过，“玛蒂斯死后，能够真正理解色彩的画家只有夏加尔”。如果毕加索看过这些作品，就将其定义为：“夏加尔死后，能够真正理解爱情是什么的画家只有全厚渊。”
Dreams, 1972,Limited Edition Interpretation Giclée,67.5 x 85cm
Your Mind, 2010, Limited Edition Interpretation Giclée,57 x 70.5cm/67.5 x 85cm
Confession, 2002,Limited Edition Interpretation Giclée,57 x 70.5cm/67.5 x 85cm
“I have love in me. I will devote myself to loving you until my life ends.” As Zun confesses, his images are seemingly random in arrangement or lack unity. However, a childhood innocence arises from the balance between the spaces, margins, and hues.
The visual metaphor that brings about the childish image is also evenly inscribed with sadness and longing. The endless longing is configured into love, which is the main theme suggested by the artist.
After having appreciated the works of Zun, I now ask myself: isn’t having a subject to love the highest level of blessing an artist can have? The secret of Zun’s love, seen in his works through being depicted with fancy colors, has been discovered. But this is not to say that the artist is always obsessed with love in dreams and fantasies. In one of his works that he drew from under a tree, the artist sorrowfully confesses, “Sometimes, I want to be alone under this tree to drink azalea liquor for eternity.”
The loneliness he expresses demonstrates the pain and distress one feels in return for being in love. Zun, as a person and an artist, tells us frankly the telltale clue to the very soul and root of all his works.
Zun’s success as a renowned designer of Yon Art, a businessman, and the manufacture of innovative, luxurious calendars are the titles he has earned during his tumultuous quest for love.
Now an experienced artist in his 70s, Zun would surely know that his belief and choices were correct. The belief that anything can be chosen to be the subject of a painting as long as love is its setting is manifested in all of his works. The determination found in a message he left while working on his latest piece eloquently speaks of his art and philosophy.
“Love is my religion.” This single line from Zun covers everything in his work, shaking our minds as well. Pablo Picasso once said “When Matisse dies, Chagall will be the only painter left who understands what color is.” If Picasso could have seen Zun’s works, he would definitely say, “When Chagall is gone, Zun, Hoo Yon will be the only painter left who understands what love is.”
Perseverance, 1981,Limited Edition Interpretation Giclée,57 x 70.5cm/67.5 x 85cm
Dreams, 1994, Limited Edition Interpretation Giclée,57 x 70.5cm
It's Nostalgia, 1982, Limited Edition Interpretation Giclée,57 x 70.5cm
观展请至少提前一天通过下方的Art-L 微信号预约。如有不便，敬请谅解。
Our exihbition is opened by appointment. Please make a reservation at least one day prior to your visit via the Art-L official Wechat below. Thank you for your support!
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